The [AP] Blog

Hi Everyone,

Obviously I haven’t been posting much recently, but I’ve just been immensely busy, I thought I’d write a quick, kind of, ‘tip’ on Slow Sync Flash, because it’s something I use quite a lot, and it’s great for making flash photography look acceptable. And, I mean, more with built in flash, because obviously, a large professional flash wouldn’t make photographs look that bad in the first place.

Basically, the theory behind this consists of how flash photography tends to work with built in flashes, if you just go on Auto and shoot someone with the flash on, you’ll probably get a picture of just them, isolated from the background, and looking clammy and horrid, unnatural because of the flash. The genius behind slow sync flash is that it combines flash with a long exposure, meaning that you get the illumination of the subject, but you also get some natural tones in there, and of course the background starts to expose, meaning that your subject isn’t just standing in a black abyss.

This photograph by Theodore Baschack shows the way in which using the ‘Night Portrait’ mode on many prosumer cameras and SLRs can work, (this is basically a slow sync shutter mode).

You can also use this method of photography for more artistic and amusing purposes, making strange but wonderful images. For example, you can kind of do double exposures in one photograph, which can lead to a lot of fun. Here is an example:

This photograph from Angela shows how you can use it for fun expressions and dual characters etc.

I’d like to finish discussing this by saying that this is really something that you will just want to play around with, experiment and have fun. There are many ways you can have fun doing this, serious and fun, so enjoy.

Hope you’re well,

Charlie -